2026
18 × 36 Acrylic & Oil on Canvas
I was working on an abstract, deliberately choosing safe marks and a highly "sellable" color palette. It would have been perfect for safe, standard home decor. It also left me thoroughly uninspired.
Over the last two years, I’ve done an intense deep dive into my astrological chart. It was an eye-opening, deeply validating experience. Every single thing I knew to be true about myself deep down—despite having no physical evidence in the real world—was blatantly obvious across my chart.
For example, I have a Gemini Midheaven in the 10th House, with Lilith sitting right there, too. I am not meant to sit in a 9-to-5 cubicle. I am meant to share ideas. I am a brutally honest truth-teller, designed for an extraordinary life—someone who is meant to be provocative, who pushes boundaries and buttons for the sake of radical honesty and authenticity.
Staring at that very boring canvas, I couldn't help but wonder: "Am I really supposed to be painting THIS?”
Like a giant lightbulb, I glazed over my 'nice girl' painting and covered it with a white glaze. It looked like Saran Wrap. Suddenly, my studio became a Dexter kill room. I was suffocating this sweet home decor painting in favor of wild, unabashed marks and palettes. It felt like the most literal metaphor for killing off an old identity.
Once the slate was wiped, the only thing I knew for sure was that I wanted to use primary colors: Red, Blue, and yellow. The very basics. To me, they represented getting my most foundational needs met. And when we finally choose to allow for those basic needs, we get so much more out of life—which is where all the other vibrant values, hues, and neon layers came from.
This painting is called Suffocating the Angel. She’s a wild girl who knows exactly who she is, and exactly what she had to bury to get here.
Shipping included in the U.S. All sales final.
2026
18 × 36 Acrylic & Oil on Canvas
I was working on an abstract, deliberately choosing safe marks and a highly "sellable" color palette. It would have been perfect for safe, standard home decor. It also left me thoroughly uninspired.
Over the last two years, I’ve done an intense deep dive into my astrological chart. It was an eye-opening, deeply validating experience. Every single thing I knew to be true about myself deep down—despite having no physical evidence in the real world—was blatantly obvious across my chart.
For example, I have a Gemini Midheaven in the 10th House, with Lilith sitting right there, too. I am not meant to sit in a 9-to-5 cubicle. I am meant to share ideas. I am a brutally honest truth-teller, designed for an extraordinary life—someone who is meant to be provocative, who pushes boundaries and buttons for the sake of radical honesty and authenticity.
Staring at that very boring canvas, I couldn't help but wonder: "Am I really supposed to be painting THIS?”
Like a giant lightbulb, I glazed over my 'nice girl' painting and covered it with a white glaze. It looked like Saran Wrap. Suddenly, my studio became a Dexter kill room. I was suffocating this sweet home decor painting in favor of wild, unabashed marks and palettes. It felt like the most literal metaphor for killing off an old identity.
Once the slate was wiped, the only thing I knew for sure was that I wanted to use primary colors: Red, Blue, and yellow. The very basics. To me, they represented getting my most foundational needs met. And when we finally choose to allow for those basic needs, we get so much more out of life—which is where all the other vibrant values, hues, and neon layers came from.
This painting is called Suffocating the Angel. She’s a wild girl who knows exactly who she is, and exactly what she had to bury to get here.
Shipping included in the U.S. All sales final.